Shine a Light , starring: Rolling Stones

Martin Scorsese leaps into the madness of the Rolling Stones' organization in Shine a Light, barely controlling (in a most entertaining way) a documentary that culminates in the Stones' best concert on film. The movie's highly entertaining, pre-performance prologue finds a frazzled Scorsese trying to get a clue about the band's plans for a very special New York City date in 2006, a benefit hosted by Bill and Hillary Clinton. While Mick Jagger quibbles over concepts for the stage's set and peruses lists of possible songs to include in the show, Scorsese tries to figure out how to shoot something for which he has few production details. Everything falls into place eventually, and after an extraordinary meet-and-greet scene in which Jagger, Keith Richards, Ron Wood, and Charlie Watts catch up with the Clintons and sweetly introduce themselves to Hillary's mom, the Stones launch into a set that leans less heavily than usual on their greatest hits canon. Longtime fans are sure to appreciate the wealth of generally-untapped material from Let It Bleed ("You Got the Silver," "Live With Me"), Exile On Main Street ("All Down the Line," "Loving Cup"), and Some Girls ("Faraway Eyes," "Just My Imagination"). Jack White, Christina Aguilera, and Buddy Guy are on hand for memorable collaborations, but the Stones all alone are truly on fire in the relatively intimate setting of a small theater. Among the highlights is a sexy and even thrilling call-and-response between Jagger and ace backup singer Lisa Fischer on "She Was Hot," Richards' gracious and expansive solo on "Connection," and Jagger's witty take on "Some Girls" (which manages to skip over the controversial verse about "black girls"). Throughout the show, Scorsese and an army of camera operators cover the action from every conceivable angle, which results not so much in another hyperkinetic concert film but rather in the kind of graceful, flattering portrayal of a great band that the director mastered with The Last Waltz. --Tom Keogh

Deadwood - The Complete Third Season , directed by: Michael Almereyda, Timothy Van Patten

The final complete season of HBO's remarkable Deadwood series is full of surprises and devastating experiences as the nascent, dangerous town prepares to join Dakota territory in 1877. As in the previous two seasons, the question of who will control the town's resources, assets, and people drives much of the drama, affecting all manner of relationships and alliances, often between the most unlikely people. The dominant storyline in Deadwood: The Complete Third Season concerns upcoming elections for mayor and sheriff of the mucky, gold-mining town. The real juice, however, is not so much between the individuals running for office as between two power brokers each trying to steer the results toward their own purposes. Saloon owner and Deadwood's puppetmaster, Al Swearengen (Ian McShane sustaining his brilliant peformance in the previous two seasons), works closely with incumbent lawman Seth Bullock (Timothy Olyphant) on retaining the latter's seat. But Bullock himself has difficulty surrendering his penchant for taking unambiguous action and relying on few words, especially when he has to act like a politician and deal with people such as George Hearst (Gerald McRaney, playing the real-life father of William Randolph Hearst). Swearengen's rival, Hearst--a self-made industrialist who gained his fortune through mining--has every intention of overtaking Deadwood, with his eye particularly on the lucrative mine owned by Bullock's former lover, Alma (Molly Parker). (The violence Hearst employs to get to Alma's claim will stun many Deadwood fans.)